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Mar Dulce
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MSRP: $13.98
Your Price: $12.99
Savings: $ 0.99 ( 7% )
Shipping: Usually ships in 24 hours
Manufacturer: Decca
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Additional Mar Dulce Information
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Decca and Surco Records are proud to announce the new release of "Mar Dulce" (Sweet Sea) from Bajofondo, the Argentine-Uruguayan collective led by the two-time Academy Award and Golden Globe-winning composer of Brokeback Mountain and Babel, Gustavo Santaolalla. (The US version of Mar Dulce includes 'Boldozas Majados' featuring NELLY FURTADO and JULIETA VENEGAS adding her vocals to a new version of the international hit single 'Pa' bailar' entitled 'Siempre Quiero Mas') Bajofondo's previous self-titled release sold over 300,00 copies and was awarded the Latin Grammy for Best Pop Instrumental in 2003. As on their earlier recordings, "Mar Dulce" sees Bajofondo's seven virtuosic musicians lead listeners through a sensual soundscape of tango, trip-hop, drum & bass and pop elements that redefine the essence of tango for the 21st century. This newest installment in the Bajofondo oeuvre features guest performances by Elvis Costello, Nelly Furtado, Julieta Venegas, Gustavo Cerati, Ryota Komatsu, La Mala Rodriguez, Santullo, Juan Subira and the final recorded performance by legendary Uruguayan tango diva Lagrima Rios. The irrepressible energy of "Mar Dulce" also translates live. The Financial Times describes a Bajofondo performance at London's Barbican Center like this: "DJ Juan Campodonico triggered drum loops and samples that cross-fertilised with the more traditional tango ensemble of violin, bandoneón...and double bass, all of which were brilliantly played by masters of their instruments. The crowd went wild for it, invading the stage at the end and cheering for more with a standing ovation..." Bajofondo is comprised of Gustavo Santaolalla on guitar, percussion, and vocals; Juan Campodónico on programming, beats, samples and guitar; Luciano Supervielle on piano, keyboards and scratch; Javier Casalla on violin; Martín Ferrés on bandoneon; Gabriel Casacuberta on upright bass and electric bass; Adrián Sosa on drums; and Verónica Loza as VJ and on vocals. The new album, Mar Dulce, was recorded in real time. All the members played together in the studio as if they were a rock or a jazz group, which was a radically different approach from the first album. Mar Dulce was recorded in Buenos Aires, Montevideo, Los Angeles, New York, Tokyo and Madrid. The multiplicity of locations reflects the cosmopolitan attraction of Bajofondo, as well as the eclectic list of guest artists including the extraordinary British singer and composer Elvis Costello, Spanish rapper Mala Rodríguez, virtuoso Japanese bandoneon player Ryota Komatsu and several Rio de la Plata artists whose origins cover the entire gamut from traditional to vanguard. Uruguayan artists participating range from the great Lágrima Ríos (this would be her last recording) and guitarist Toto Méndez (musical director of Alfredo Zitarrosa's quartet) to electronica duo OMAR and vocalist Fernando Santullo, ex-Peyote Asesino, a band that also included Juan Campodónico. Argentine artists include Gustavo Cerati, the frontman for Soda Stereo, the most popular rock group in Latin America in the 1980s, and Juan Subirá, keyboardist and composer of Bersuit, one of the most popular bands in Argentine rock, who makes a surprising appearance on Mar Dulce as a singer, revealing another facet of his talents.
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What Customers Say About Mar Dulce:
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This disk made me very happy- very interesting mix -some not usual - could listen endlessly
Bajofondo Tango Club is electronic music based on a variety of influences, this is not Argentine Tango; do not allow to be fooled by the uneducated in the essence of Argentine Tango. The two remaining greats of argentine tango Mariano Mores and Horacio Salgan still alive today both semi-retired are the last two great exponents of what tango represents, as an art form. After the passing of the great Astor Piazzolla it has been no indication that a new generation of Argentinean tango composers will carry on with the legacy of the fathers of what is considered the classical music of the twenty century known as the Argentine Tango.There are few groups today that claim to be Tango Groups among them "Gotan Project and Bajofondo Tango Club led by Gustavo Santaolalla" they intend to profit under the denomination of Tango by doing so they mislead the consumer with false claims, this groups are just Pop Disco Bands. Gotan Project and Bajofondo Bajofondo Tango Club had at least made that courageous attempt to profit under the name of Tango.
As if the tango rhythm wasn't pleaseant enough, mixing it with eletronic made this song so delicious to listen and to dance to.Veronica (Cesar's wife).:)
Very disappointed. Album got great reviews but unfortunately this isn't one of them. Too disco for my tastes. Would have preferred that they follow the lead of groups like the Gotan Project.
For those who are not familiar with traditional Tango nor heard any of the current representatives of its electro-forms, it worth knowing that Gustavo Santaolalla's production and leadership as well as Daniel Melingo's voice in a couple of tracks, makes this album something you ought to explore immediately.Just like it happened with Astor Piazzolla--I'm comparing reactions to new versions of a traditional musical form, not suggesting that these guys are as revolutionary nor seminal as the great Piazzolla--any innovations performed on a genre as beloved like Tango will breed as many critics as new worshippers. This is not an experiment, it is good music.Besides Melingo's vocal contributions, there's a number of powerful tracks here, whether instrumental like Cristal, Zitarrosa or Borges y Paraguay, or thanks to some dead-on choices for vocals such as Elvis Costello in Fairly Right, Juan Subira--the song of the album--in Hoy , and Mala Rodriguez and Gustavo Ceratti's turns at the mike.Santaolalla, as committed to Tango's classic composers as he is to exploring its outer edges, manages to keep things faithful to the mood of Buenos Aires without compromising the proverbial "pushing of the envelope." Whether you find winning two Oscars a respectable feat or not, it should say something about Santaolalla's capacity to create impressive soundscapes. I think this is equal parts respect for its traditonal forms as the unwillingness of some to accept the evolution of a powerful musical form.That said, Bajofondo--along with Gotan Project--is a band to listen to if you are thinking of immersing yourself in the archetypal Argentine music' state of affairs. This particular album, to me, has built on their first and famous album, and taking it to a new level of depth. As far as I'm concerned, he's the Rick Rubin of Latin America, more for his talent in recognizing the true sound of an artist than a comparison of career' successes.All in all, if you are hooked on dancing Tango, go to Anibal Troilo, Horacio Salgan or Osvaldo Pugliese--all gods of the original form--because Bajofondo will disappoint you there. But if you were stung just as deeply by Buenos Aires and like to listen to the intricate evolution of a genre, this is a place to visit.
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